THE YEARS FLOW LIKE WATER
2021
Winner of D-Normal/V-Essay Video Zine #3 Best Work
2021
Winner of D-Normal/V-Essay Video Zine #3 Best Work
The Years Flow Like Water details a fictional encounter between the filmmaker and an elephant opposite a playground in Lai Chi Kok. By evoking and interweaving Lai Yuen Amusement Park and Canto-pop Icon Anita Mui as emblems of Hong Kong’s collective memory, the work explores the nature of nostalgia and the passing of time.




MISSING OBJECTS
2022, 2023, 2024
Lecture Performance
In August of 1988, world renowned magician David Copperfield arrived in Hong Kong for his first performance in the city. On the same day, several objects were reported missing in the local newspaper. This lecture performance interweaves historical narratives, magic tricks and experiments on object permanence to understand what it means to simply disappear.
Performed at Unlock Dancing Plaza (2024), WURE Area (2023), Tomorrow Maybe (2022)
2022, 2023, 2024
Lecture Performance
In August of 1988, world renowned magician David Copperfield arrived in Hong Kong for his first performance in the city. On the same day, several objects were reported missing in the local newspaper. This lecture performance interweaves historical narratives, magic tricks and experiments on object permanence to understand what it means to simply disappear.
Performed at Unlock Dancing Plaza (2024), WURE Area (2023), Tomorrow Maybe (2022)



THE SWIM
2022
Film
Through an interview between the artist and her father about his experience with temporary memory loss after swimming at sea, The Swim reflects on the nature of memory through retracing the events of the day.
2022
Film
Through an interview between the artist and her father about his experience with temporary memory loss after swimming at sea, The Swim reflects on the nature of memory through retracing the events of the day.



MOLD
2023
experimental short
SIM Residency, Reykjavík
Sigurður Róbertsson‘s obscure play ‘Mold’ details an inherited bowl of earth shattered in an argument between a farming mother and her son who wants to move to the city.
The artist interweaves lines of texts from ‘Mold’ with several narratives on the absence of soil, eroded images taken from the 2001 Soil Erosion Handbook of Iceland, the censorial hole punch in agricultural pictures taken during the American Great Depression and bowls of sand used for land reclamation in India, to reflect on our relationship with earth and the land we live on.
2023
experimental short
SIM Residency, Reykjavík
Sigurður Róbertsson‘s obscure play ‘Mold’ details an inherited bowl of earth shattered in an argument between a farming mother and her son who wants to move to the city.
The artist interweaves lines of texts from ‘Mold’ with several narratives on the absence of soil, eroded images taken from the 2001 Soil Erosion Handbook of Iceland, the censorial hole punch in agricultural pictures taken during the American Great Depression and bowls of sand used for land reclamation in India, to reflect on our relationship with earth and the land we live on.



CAVITY
2022
video installation
Cavity collects traces of a lost city. Once known as one of the most densely populated places on Earth, the Kowloon Walled City was a labyrinth of tightly packed buildings. Demolished in the early 1990s, a park now fills its space. In an attempt to uncover signs of what remains;
a set of dentures,
a map drawn from memory,
a boy spotting planes that flew 30 years ago,
Cavity reveals material objects of lost time, lining the walls of absence.
2022
video installation
Cavity collects traces of a lost city. Once known as one of the most densely populated places on Earth, the Kowloon Walled City was a labyrinth of tightly packed buildings. Demolished in the early 1990s, a park now fills its space. In an attempt to uncover signs of what remains;
a set of dentures,
a map drawn from memory,
a boy spotting planes that flew 30 years ago,
Cavity reveals material objects of lost time, lining the walls of absence.



